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Text und Bild

Text und Bild
Tagungsbeiträge
1. Auflage, 2010
The volume presents papers read at the international Symposium "Text und Bild" which was held at the Austrian Academy of Sciences (April 2-4, 2009). This Symposium was organised by the Commission for Editing the Corpus of the Latin Church Fathers (CSEL) and the Institute for the Study of Ancient Culture (IKAnt) at the Austrian Academy of Sciences, and by the Institute for Classical Philology, Medieval and Neo-Latin Studies at Vienna University. Part of the articles analyses various kinds of visualisation which Prudentius in his poems implies, describes, or evokes; the authors discuss, for example, in which respects philological and archaeological studies on Prudentius can complement each other, if Prudentius intended, that the reader of his Dittochaeon should look at 'real' pictures or just envisage 'imagined' ones, and in which way one can transfer the mutual penetration of descriptions and interpretations of pictures as given in the Dittochaeon to other passages of Prudentius' Ouvre containing visualisations. Furthermore, in order to shed light on characteristics and on the poetical forte of Prudentius in general, some articles concentrate on his other poems and their genuine problems or examine poetic techniques of visualisation applied by authors of roughly the same time. Additionally, a number of articles supply the reader with information about the literary tradition of visualisation Prudentius could build on and with an insight into medieval poetic 'Tituli'. Finally, the volume is rounded off by interdisciplinary studies dealing with the issue from the viewpoint of History of Arts and Theology or patristic Philology and Music, respectively.
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Abkürzungsverzeichnis
Page 7 - 10
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Zu Gast in Trimalchios Atrium: Sehstörungen und visuelles Chaos in Petrons Satyrica
Page 11 - 40
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Epikur als Typos Christi? Lukrez und die christlichen Folgen
Page 41 - 56
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Argumenta leti and ludibria mortis: Ekphrasis, Art, Attributes, Identity, and Hagiography in Late Antique Poetry
Page 57 - 82
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„Siehe, die feurige Sonne steigt empor“: Zu Sonne und Licht bei Prudentius im Kontext seiner Zeit
Page 83 - 98
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Echte und falsche Bilder im frühchristlichen Kirchenbau: Zu den Bildepigrammen von Prudentius und Paulinus Nolanus
Page 99 - 126
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Der Liber Peristephanon als Quelle für christliche Archäologie
Bozena Iwaszkiewicz-Wronikowska
Page 127 - 142
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Allegorische Darstellungen der Tugenden in der Dichtung des Prudentius und in der frühchristlichen Kunst
Page 143 - 150
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Text, Text, and Image in Prudentius’ Tituli Historiarum
Page 151 - 166
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Ut pictura poesis? Symmikta zum so genannten Dittochaeon des Prudentius
Page 167 - 194
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Die praefationes von Claudian und von Prudentius
Page 195 - 222
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Stat mulier, sicut steterat prius … La metamorfosi della moglie di Loth nell’Hamartigenia di Prudenzio
Page 223 - 236
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Raum und Nichts: Zur Konzeption der Psychomachie des Prudentius
Page 237 - 254
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The Role and Function of Ekphrasis in Latin North African Poetry (5th – 6th Century)
Page 255 - 288
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Umbra, figura, praefigurator: Typologie bei Ekkehart IV. von St. Gallen
Page 289 - 304
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Das Bildprogramm des Doms von Monreale und die Liturgie der Quadragesima: Zur Deutung des südlichen Querhauses
Page 305 - 332
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Prudentius in musica – eine Spurensuche
Page 333 - 356
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Indices
Page 357 - 362
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Edition:
978-3-7001-6907-9, Print, softcover, 07.12.2010
Edition:
978-3-7001-7011-2, eBook, Digital, 09.06.2011
Edition:
1. Auflage
Pages:
362 Pages
Format:
22,5x15cm
Language:
German
DOI (Link to Online Edition):

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