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Ancient Greek Music in Perfomance

Ancient Greek Music in Perfomance
Symposion Wien 29. Sept. - 1. Okt. 2003
1. Auflage, 2005
The collection of essays is based on the papers held at a symposium that was held to discuss various “practical” aspects of ancient Greek music. The individual contributions address organological questions of tuning and playing techniques, ancient and modern performance contexts and expectations, as well as the notorious topic of musical “ethos”. The accompanying CD contains, in addition to musical examples of passages referred to in the papers, the recording of a public performance that was part of the symposium. Singers and instrumentalists from four countries present their approaches to the ancient melodies that are extant; especially when different interpretations of the same piece can be compared, the complex questions involved in any re-creation of ancient music become obvious immediately.
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Preface
Page 7 - 7
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Vorwort
Page 8 - 8
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Hearing Greek Microtones
Page 9 - 50
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Twenty-four in auloi. Aristotle, Met. 1093b, the harmony of the spheres, and the formation of the Perfect System
Page 51 - 92
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Ancient European lyres: excavated finds and experimental performance today
Page 93 - 120
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Carl Orffs hesperische Musik
Page 121 - 130
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Dramatische Texte in den Fragmenten antiker Musik
Page 131 - 146
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Performing Damon´s harmoniai
Page 147 - 158
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Homerische Vortragstechnik: Rekonstruktion und modernes Publikum
Page 159 - 176
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Contents of the accompanying CD
Page 177 - 178
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Edition:
978-3-7001-3475-6, Print, softcover, 19.07.2005
Edition:
978-3-7001-3556-2, eBook, Digital, 19.07.2005
Edition:
1. Auflage
Pages:
178 Pages
Format:
24x16,5cm
Images:
with Audio-CD
Language:
English
DOI (Link to Online Edition):

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