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Alois Riegl Revisited

Alois Riegl Revisited
Beiträge zu Werk und Rezeption / Contributions to the Opus and its Reception
1. Auflage, 2010
The art historian Alois Riegl (1858–1905) is today considered one of the intellectual leaders of the Viennese fin de siècle. His writings, which enjoy international acclaim, represent a new and in part radical direction in his field. Riegl served as curator at the Austrian Museum for Art and Industry (today the MAK) as well as full professor at the University of Vienna, and finally as the General Conservator for the Central Commission for the Research and Preservation of Art and Historical Monuments. In all these functions Riegl explored new paths of art research, the innovative nature of which has only recently been recognised. On the occasion of the centenary of his death, a symposium was held in late autumn 2005, attended by highly regarded experts whose contributions – sometimes in greatly extended form – have been collected in the present volume. Not only do they illustrate the immense range of Riegl’s ideas, they also shed light on the intellectual contribution made by the Viennese art historian to European modernity.
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Alois Riegl Revisited
Page 6 - 9
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Alois Riegl und das MAK
Page 10 - 11
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Riegl, der Emanzipator (Die Gämse und das Alpenpanorama)
Page 12 - 20
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Alois Riegl, die Volkskunst und die österreichische Volkskunde, eine Vorgeschichte der europäischen Ethnologie
Reinhard Johler
Page 21 - 28
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Alois Riegl und die Nationalökonomie
Page 29 - 36
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Mood, Modernism, and the Museum for Art and Industry
Page 37 - 44
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Alois Riegl and Classical Archaeology
Page 45 - 57
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Was bleibt von Riegls Alterswert oder: ist Riegls Alterswert noch zu retten?
Page 58 - 62
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Zur Genese des "Denkmalkultus"Riegls Rezeption in Italien. Von der Charta von Venedig bis heute
Page 63 - 67
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Riegls Rezeption in Italien. Von der Charta von Venedig bis heute
Page 68 - 83
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Riegl, the Arabesque, and Islamic Art
Page 84 - 88
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Rhythm in the Thought of Alois Riegl and his Contemporaries
Page 89 - 99
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Kunst UND Wissenschaft: Alois Riegl CONTRA Emil du Bois-Reymond
Page 100 - 108
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Konjunkturen des Optischen - Riegls Grundbegriffe und die Kanonisierung der künstlerischen Moderne
Page 109 - 128
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Was bleibt von Riegls Theorie? Riegl auf amerikanisch
Page 129 - 136
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A Portrait of Riegl in Split
Page 137 - 139
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Autorenbiographien
Page 140 - 141
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Personenindex, Bildnachweis, Impressum
Page 142 - 148
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Edition:
978-3-7001-6498-2, Print, softcover, 04.05.2010
Edition:
978-3-7001-6939-0, eBook, Digital, 22.10.2010
Edition:
1. Auflage
Pages:
146 Pages
Format:
30x24cm
Language:
English, German
DOI (Link to Online Edition):

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