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Editorial | Experimental Restoration and Reconstruction in Music Archaeology  | Reflections on Archaeomusicological Practice in South America | Different Blowing Techniques for Palaeolithic Aerophones: Animal Calls, Clarinets, and Flutes | On Experimental Reconstructions of the Mammoth Ivory Flute from Geißenklösterle Cave (GK3) and Other Palaeolithic Wind Instruments from South-West Germany | Sounds from a Base Camp. Different Ways of Reconstructing and Playing the ‘Grubgraben’ Wind Instrument | Only Pottery Drums in the Stone Age? Advantages and Disadvantages of Wooden versus Pottery Drums Relating to Production and Sound | Metallic Idiophones 800 BCE–800 CE in Central Europe: Function and Acoustic Influence –   A Progress Repo | Some Notes on Woodwind Instruments in al-Fārābī’s "Kitāb al Mūsīqī al kabīr" | Kakui’s "Hakase-Shi-Kuden-no-Koto" in Modern English Translation: A Window into the Workings of Thirteenth-Century Japanese Buddhist Neumes and a Step Forward for Comparative Liturgy | Pre-Columbian Maya Valveless Tube Trumpets | The ‘talempong batu’ Lithophone of Talang Anau (West Sumatra) and its Astonishing Tuning System

The Journal of Music Archaeology (JMA) is the first double-blind-reviewed open access periodical in the field of music archaeology, continuing the spirit of the series Studien zur Musikarchäologie, formerly published by the DAI. It addresses questions concerning the archaeology of sound and rhythmical behaviour of past cultures all over the globe, including the study and reconstruction of certain or possible sound tools, the investigation of soundscapes, especially where intentionally chosen or erected, as well as related historical, anthropological and ethnological research based on iconographies, literatures, and comparative studies reflecting the wide range of approaches and methodologies that has characterised music archaeology from its beginnings. 

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Dahlia Shehata

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Journal of Music Archaeology, Volume 1