Mag.

Introduction: Interaction in the Himalayas and Central Asia | Transfers and Interactions between North and South in Central Asia during the Bronze Age | Preliminary Excavation Findings from Shoroon Bumbagar, Ulaan Kherem, Mongolia | Two Enigmatic "Megalithic" Sites in Tibet | Skanda and the Mothers in Khotanese Buddhist Painting | The Deydier Vase and Its Tibetan Connections: A Preliminary Note | Allegories of Kingship: A Preliminary Study of a Western Central Asian Gold Ewer in the Royal Court of Tibet | The Influence from Khotan: The Standing Buddha Images in Kucha | An Early West Tibetan Manuscript from Hanle Monastery, Ladakh | Three Ancient Manuscripts from Tholing in the Tucci Collection, IsIAO, Roma, Part II: Manuscript 1329 0 | The Art of Khorchag and Khartse in the Fabric of Western Himalayan Buddhist Art (10th-14th Centuries): Questions of Style II | A Turk in the Dukhang? Comparative Perspectives on Elite Dress in Medieval Ladakh and the Caucasus | A Cultural Crossroads: Some "Foreign" Elements in the Art and Architecture of mNga' ris | Reconstruction of the West Tibetan Temples of Khorchag: The Lhakhang Chenmo | Narrative Transformations: The Spiritual Friends of Khri Srong Ide brtsan | Charting Ancient Routes in Ladakh: An Archaeological Documentation | Is There a Network of Sacred Fires Across the Himalayas and Central Asia? From Baku to Nepal, and Back | Circumambulating the Jowo in Mongolia: Why Erdeni Juu Should Be Understood as "Jowo Rinpoche" | Between the Himalayas and Inner Asia: The Mongolian Case | Moving Artefacts: Mongolian Tsam Figures | List of Contributors

Der Tagungsband des dritten internationalen SEECHAC-Kolloquiums (Österreichische Akademie der Wissenschaften, 25.–27. November 2013, Wien) ist dem Thema „Interaktion im Himalaya und Zentralasien“ gewidmet. Nach einer thematischen Einleitung (Christian Jahoda) beschäftigt er sich in insgesamt 19 Beiträgen von internationalen ExpertInnen aus verschiedenen Wissensgebieten und Fachdisziplinen (u. a. Archäologie, Architektur, Kunstgeschichte, Sozialanthropologie, Tibetologie, Mongolei- und Zentralasien-Studien) mit Transformationsprozessen sozialer, religiöser und materieller Kultur in Gegenwart und Vergangenheit. Der Band ist in drei Themenkomplexe gegliedert: I. Transfer und Interaktion in Zentralasien und Tibet (Élise Luneau, Lhagvasuren Erdenebold, Oscar Nalesini, Ciro Lo Muzio, Frantz Grenet, David Pritzker, Tianshu Zhu), II. Translation und Aneignung von Kunst und Architektur im westlichen Himalaya (Eva Allinger, Amy Heller und Charlotte Eng, Christiane Kalantari, Finbarr B. Flood, Marialaura Di Mattia, Hubert Feiglstorfer), III. Transformationsmuster in Tibet, Nepal, Mongolei und Zentralasien (Lewis Doney, Quentin Devers, Marie Lecomte-Tilouine, Isabelle Charleux, Ágnes Birtalan, Maria-Katharina Lang). The proceedings of the Third International SEECHAC Colloquium, held in Vienna in 2013, are devoted to the topic “Interaction in the Himalayas and Central Asia”. Divided into three parts – I. Transfer and Interaction in Central Asia and Tibet; II. Translation and Adoption of Art and Architecture in the Western Himalayas; III. Patterns of Transformation in Tibet, Nepal, Mongolia and Central Asia – and preceded by an introduction by Christian Jahoda, past and current transformation processes of social, religious and material culture are addressed in 19 original contributions by experts from various fields of knowledge and disciplines including archaeology, architecture, art history and social anthropology as well as Central Asian, Mongolian and Tibetan Studies: Eva Allinger, Ágnes Birtalan, Isabelle Charleux, Quentin Devers, Marialaura Di Mattia, Lewis Doney, Lhagvasuren Erdenebold, Finbarr B. Flood, Hubert Feiglstorfer, Frantz Grenet, Amy Heller and Charlotte Eng, Christiane Kalantari, Maria-Katharina Lang, Marie Lecomte-Tilouine, Ciro Lo Muzio, Élise Luneau, Oscar Nalesini, David Pritzker and Tianshu Zhu.

Process of Transfer, Translation and Transformation in Art, Archaeology, Religion and Polity

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Interaction in the Himalayas and Central Asia

Table of Contents: KLIMBURG-SALTER, Deborah E.: Is there an Inner Asian International Style 12th to 14th Centuries? Definition of the Problem and Present State of Research; BAUTZE-PICRON, Claudine: The Elaboration of a Style: Eastern Indian Motifs and Forms in Early Tibetan (?) and Burmese Painting; TOYKA-FUONG, Ursula: The Influence of Pala Art on 11th-century Wall-paintings of Grotto 76 in Dunhuang; SAMOSSIUK, Kira: Two Tibetan Style thangkas from Khara Khoto; ALLINGER, Eva: The Green Tara in the Ford-Collection: Some Stylistic Remarks; STODDARD, Heather: The “Indian Style” rGya lugs on an Early Tibetan Book Cover; HELLER, Amy: The Caves of gNas mjal che mo; LUCZANITS, Christian: On an Unusual Painting Style in Ladakh. 

Eva Allinger

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Interaction in the Himalayas and Central Asia

The Inner Asian International Style, 12th‒14th Centuries